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Faith, Inc. (4295.T)
Key financial summary
Financials in JPY| 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | TTM | ||
|---|---|---|---|---|---|---|---|---|
| Total revenue | ¥bn | 21 | 20 | 20 | 15 | 15 | 14 | 14 |
| Operating profit | ¥bn | -1 | -1 | |||||
| Net profit | ¥bn | -0 | -1 | -0 | -0 | -0 | -1 | -1 |
| EPS reported | ¥ | -101.1 | -107.7 | |||||
| Operating cashflow per share | ¥ | -26.50 | -26.50 | |||||
| Capex per share | ¥ | 7.30 | 7.30 | |||||
| FCF per share | ¥ | -33.80 | -33.80 | |||||
| Free cash flow | ¥bn | -0 | 0 | |||||
| Net debt | ¥bn | -9 | -8 | |||||
| Book value equity | ¥bn | 13 | 13 | |||||
| Book value per share | ¥ | 1,224 | 1,202 | |||||
| Number of shares | m | 10.84 | 10.84 | |||||
| DPS (TTM paid) | ¥ | 10.00 | 0.00 |
Financial summary
Financials in JPY| 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | TTM | ||
|---|---|---|---|---|---|---|---|---|
| Value | ||||||||
| P/E TTM | x | - | - | |||||
| P/B LTM | x | 0.38 | 1.01 | |||||
| P/S LTM | x | 0.36 | 0.97 | |||||
| P/FCF LTM | x | -13.67 | -36.01 | |||||
| EV/EBITDA LTM | x | 9.99 | -11.63 | |||||
| EV/Sales LTM | x | -0.25 | 0.35 | |||||
| Earnings Yield LTM | % | -21.89% | -8.32% | |||||
| FCF Yield | % | -7.32% | 0.00% | |||||
| Quality | ||||||||
| ROE | % | -8.26% | -7.65% | |||||
| ROIC | % | -3.42% | -3.42% | |||||
| Operating margin | % | -3.84% | -3.84% | |||||
| Gross margin | % | 37.78% | 37.78% | |||||
| FCF/Sales | % | -2.67% | -2.67% | |||||
| Growth and momentum | ||||||||
| EPS Growth YoY | % | - | - | |||||
| Sales Growth YoY | % | -9.48% | -10.18% | |||||
| Net Income Growth YoY | % | - | - | |||||
| FCF Growth | % | - | - | |||||
| Operating Profit Growth | % | - | - | |||||
| Dividend and capital structure | ||||||||
| Dividend Yield | % | 2.20% | 0.00% | |||||
| Dividend Growth | % | 0.00% | - | |||||
| Payout Ratio | % | -10.05% | 0.00% | |||||
| FCF/Debt | x | -0.28 | 0.00 | |||||
| Net Debt/EBITDA | x | 24.33 | 24.33 | |||||
| EBIT/Net interest | x | -62.61 | -62.61 | |||||
| Net debt/market cap | % | -173.98% | -63.40% | |||||
| Net debt/Equity | x | -0.66 | -0.64 | |||||
| Gross debt/equity | x | 0.10 | 0.09 | |||||
Company overview
Faith, Inc., established in 1992 and headquartered in Kyoto, Japan, specializes in developing and operating systems for digital content distribution. The company delivers diverse content to a wide array of devices, including mobile phones, personal computers, gaming consoles, televisions, in-car navigation systems, and networked audio setups. Their comprehensive music business solutions include the Fans platform, e-commerce and mail-order capabilities, and dedicated platforms for sound sources and ringtone melodies. They also provide ringtone and karaoke data, produce entertainment-focused musical compositions, and manage copyright processing. The company oversees various content distribution platforms such as GIGA, which provides music and general entertainment; VIDEO Clipper, for broadcasting live musical performances; and JOYSOUND, specializing in mobile entertainment. Rightsscale offers a dedicated music distribution service, while Music Reminiscence is an iOS application exploring the connection between music and brain activity. Faith's digital media portfolio includes OKMusic, a social music platform; BARKS, which provides extensive music news, artist videos, interviews, and live reports; and Pop'n'Roll, an idol media outlet highlighting emerging talents. They also facilitate fan engagement through Fans' and Fans' Music fan club support services and offer the recruitment social media platform, with9. Beyond distribution, Faith supports the music industry with services such as music software planning, artist management, advertising, and sales and publication management, often operating under prominent labels like Nippon Columbia, Dreamusic, KSR, Flying Penguins, and Future SEVEN Studios. For businesses, Faith provides retail support solutions like commercial background music (BGM) and loyalty programs via Goody Point, FaRao PRO, and SHOP. The company further diversifies into music-related ventures, including managing live performance venues such as Future SEVEN, PLUSTOKYO, and CROKET MIMIC TOKYO.
Similar companies
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Faith, Inc. (4295.T)
Faith, Inc., established in 1992 and headquartered in Kyoto, Japan, specializes in developing and operating systems for digital content distribution. The company delivers diverse content to a wide array of devices, including mobile phones, personal computers, gaming consoles, televisions, in-car navigation systems, and networked audio setups. Their comprehensive music business solutions include the Fans platform, e-commerce and mail-order capabilities, and dedicated platforms for sound sources and ringtone melodies. They also provide ringtone and karaoke data, produce entertainment-focused musical compositions, and manage copyright processing. The company oversees various content distribution platforms such as GIGA, which provides music and general entertainment; VIDEO Clipper, for broadcasting live musical performances; and JOYSOUND, specializing in mobile entertainment. Rightsscale offers a dedicated music distribution service, while Music Reminiscence is an iOS application exploring the connection between music and brain activity. Faith's digital media portfolio includes OKMusic, a social music platform; BARKS, which provides extensive music news, artist videos, interviews, and live reports; and Pop'n'Roll, an idol media outlet highlighting emerging talents. They also facilitate fan engagement through Fans' and Fans' Music fan club support services and offer the recruitment social media platform, with9. Beyond distribution, Faith supports the music industry with services such as music software planning, artist management, advertising, and sales and publication management, often operating under prominent labels like Nippon Columbia, Dreamusic, KSR, Flying Penguins, and Future SEVEN Studios. For businesses, Faith provides retail support solutions like commercial background music (BGM) and loyalty programs via Goody Point, FaRao PRO, and SHOP. The company further diversifies into music-related ventures, including managing live performance venues such as Future SEVEN, PLUSTOKYO, and CROKET MIMIC TOKYO.
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